Deconstruction Music_____al Experience
Deconstruction Music Deconstruction Musical Experience Deconstruction
Music today, --- revolutionary,
modern, popular or even now cliché?
Because this year (2025) and the year before (2024)
a whole series of philosophical talks ( in our Philosophical Practice in
Vienna ) on the topic of Deconstruction Music Deconstruction Musical
Experience Deconstruction is running/being performed (this time in German
with jazz students from Switzerland, the Federal Republic of Germany, Austria,
Australia and Italy), here is the text published last year
(January 2024 only in English) slightly modified and supplemented
with information on practice in English and from today also available
in German. (cf. link)
Deconstruction Music Deconstruction Musical Experience Deconstruction
Music
today, --- revolutionary, modern, popular or even now cliché? Music
deconstruction Musical experience
deconstruction
Gerhard Kaučić
Philosopher,
Feminist, Mediator, Author, Freerider, born 1959, Dr. phil., age 66, 2025
Associate
in the grammatological philosophical Practice since 2009 in Vienna and beyond
Anna Lydia Huber
Philosophin,
Feministin, Mediatorin, Autorin, Freerider:in, geboren 1959, MSc, Alter 66, 2025
To
contact us, please use only these emails:
g.kaucic[at]chello[dot]at or
gack[at]chello[dot]at
The musical
experience and its political, social and philosophical-grammatological
implications and presuppositions
https://disseminationsdjayphilpraxkaucic.blogspot.com/2024/01/musical-experience-grammatology.html
Mobile Version (lesen
ohne Teaser und Footer):
Musikalische Erfahrung und ihre politischen,
gesellschaftlichen und philosophisch-grammatologischen Implikationen und
Voraussetzungen
Mobile Version (lesen
ohne Teaser und Footer):
Music deconstruction Musical experience deconstruction
Mobile Version (lesen ohne Teaser und Footer):
Beethoven heute Beethoven seinerzeit
„Ist“ Beethovens
Musik?
Revolutionär, modern,
populär oder gar inzwischen Klischee?
Musik Text Beethoven
Moderne Postmoderne
(German/English)
Philosophischer Salon Gerhard Kaučić & Anna Lydia Huber
Film Denken
Mobile Version (ohne Teaser):
Philosophischer Salon Gerhard Kaučić Djay PhilPrax
& Anna Lydia Huber Gasometer Wien
Philosophical
Lounge / Philosophischer Salon G Kaucic & AL Huber Vienna, Austria, -
Gerhard Kaučić (*1959), head of a philosophical practice for 36 years in Vienna
( 1989-2025 ff.)
To contact
us, please use only these emails:
g.kaucic[at]chello[dot]at
or gack[at]chello.at
Narratives,
Reports, Analyses, Reflections from the Practice/from my/our Philosophical
Practice
Vienna 36
years of practice jubilee (1989-2025 ff.) jubilee 36 years PP 2025
PHILOSOPHICAL
PRACTICE Gerhard Kaučić (Dr. phil., b. 1959) & Anna Lydia Huber (MSc, b.
1959) VIENNA AUSTRIA EUROPE
Music deconstruction Musical experience deconstruction
Music
today, --- revolutionary, modern, popular or even now cliché?
Music Education Culture Politics Text
Beethoven's
Ninth (200 years May 2024)
Modernism
Schönberg
(150 years September 2024)
Postmodernism
P.S.:
Revolutionary, modern, popular or
even now cliché?
An addition, a supplement, a repetition, - a
philosophical practice yesterday, today and tomorrow
Gerhard
Kaučić (*1959), head/director of a Philosophical Practice for 36 years in
Vienna (1989-2025 ff.)
[ Conversations, analysis, discourse, problematization, identity
dislocation, subjectivation, formalization, folding, complication, aporia,
deconstruction
Gerhard
Kaučić Djay PhilPrax, Philosopher, Writer, Feminist, experienced practised music Listener and
relevant Reader for 50 years, Freerider, Philosophical Practice, Vienna, PP
since 1989, Dr. phil.
Gerhard
Kaučić (born 1959), Philosopher, philosophical Practitioner 1989 ff.,
grammatologist, author, feminist, translator, cyclist, freerider, ecomobilist,
the philosopher as cyclist, the philosopher as freerider, the philosopher as circulator, the
philosopher as mover, the philosopher as scout ........ trace....... Trace ........ … ]
At the same time we think the impossible and that
(this >at the same time<) is the impossible! (Derrida, Donner le temps I)
Music deconstruction Musical experience deconstruction
Music today, --- revolutionary,
modern, popular or even now cliché?
It is a fact - concert music and opera have become
(in contrast to the 19th century) a rather peripheral matter of political life
today.
No
streaming platforms, no YouTube and no Internet help here either.
We need to
deepen the horizon of the musical experience if we want to talk about
music and music history as a social history and thus think about it. We must
open up access to ways of listening that are located in history and in the
respective culture beyond music.
We must
make the political, social and philosophical implications of music
visible. Music is not an independent closed circuit of aesthetic phenomena and
its stylistic characteristics, instrumentation, arrangements, performance
practices etc. are not independent of other social force fields of the past and
present.
In
particular, the economies, the media and the ever-present techniques, including
their culturalisation between the power blocks of politics, capitalism, state,
society, mediatisation, science, religion, class society, power relations and
the state of industrialisation.
Using
Vienna as an example, Western musical culture from the Baroque to modern and
postmodern times - from Haydn and Mozart in the mid-18th century to
Schönberg ( 13.09.1874 Wien - 13.07.1951 Los Angeles, 2024, 150th
anniversary, P.s. see footnoteY ),
Krenek and Berg in the first half of the 20th century, to Clemens Gadenstätter,
Bernhard Lang, Olga Neuwirth and many others in the second half of the 20th
century and the first two decades of the 21st century - shows us a very rare
opportunity for our thinking to access our European and Austrian past via
musical creation, and especially the self-image of today's Vienna. The arts
bear witness to us and our best values for freedom and sociality as well as the
possibility of growing beyond ourselves.
footnoteY:
[ To what extent does Schoenberg speak of himself as a
"freetone composer" and not of "atonality " or twelve-tone
composer?
Schönberg
rejects the fighting term "atonality", - he speaks of himself as a
"free toner"!
Arnold
Schönberg described himself as a "free toner" to describe his musical
task. This term is associated with the development from free atonality to
twelve-tone technique.
In the
phase of free “atonality”, which Schönberg practised from around 1907, he broke
with traditional tonal structures. The contrast between consonance and
dissonance is cancelled. A continuum of different tonal colours emerges. The
reference to a fundamental tone is abandoned. Tones and sounds stand in a new,
non-repeatable relationship to one another.
Schönberg
introduced the twelve-tone technique in order to transform free atonality into
a bound form. In this technique, each score is based on a twelve-note row that
contains each note of the tempered scale once. The choice and arrangement of
this row is at the composer's discretion. The twelve-tone technique
opened up new possibilities for musical structuring and Schönberg had a
significant influence on a wide range of musicians. Overall, Schönberg
revolutionised the world of music with his radical approach to tonality,
creating a new approach to musical experience as a phenomenon of musical
complexity and the lust effects of listening. The human body recognises itself
as a body of pleasure and as a body of pain (cf. Freud!,- for more on this, see
below in the depths and lengths of our posting or our blog/weblog) ]
Sounds
today are quotations, clichés, semantic objects, not mere series of
structurable parameters. The extreme case today is the recontextualisation of
often only minimal change into a "new" work. Almost a real readymade.
Particularly
frequent is the transformation from other media into the music and the playing
of different soundtracks by means of various machines ( Miles Davis already
played revolutionary in his 1969 album "Bitches Brew", called Fusion
Jazz, before him also Frank Zappa, influences from Woodstock to Stockhausen
were mentioned as decisive for this; cf. esp. J Dilla, James Dewitt Yancey,
auch Jay Dee gerufen, 1974 – 2006, also great influence especially on jazz
musicians ).
Sampling
and other similar digital techniques spread all over the globe, only the
concert halls are largely unimpressed by them.
This is also a major reason for the marginalisation of these traditional
music businesses. The sailing ships among today's high-tech boats.
Cage as
father figure of all these developments. Collage, bricolage, assemblage, remix,
sampling, patch-work, mash-up, intertextuality, texture ...
The
Internet, collage, the art of the future and the art of the present.
Availability of the audio archives of the world. Democracy as a pre-condition.
Postmodernism, the possibility of participation for all. Art and enlightenment,
the intellectual light of the world. The deconstruction of Derrida.
Understanding
Beethoven and/or understanding Beethoven's music? Along the discourses of the
last 300 years between the representatives of programmatic music on the one
hand and those of absolute music on the other.
The almost
eternal question: Do Beethoven's instrumental music have an
"extra-musical" meaning or do they have no such meaning?
The group
of absolute music (Hanslick, Schönberg, Pfitzner, Schenker, Adorno) works in
the conviction that Beethoven's work has been withdrawn from understanding by
the dominant post-Wagnerian "Beethoven image"(!).
What
role(s) does music play within the great social discourses of the 19th and 20th
centuries.
How does
music work and why
does it become popular?
For
clarification, a large sociological discourse on the bourgeois European
institutions, the clients, the musical rhetorical traditions and the increasing
participation of amateurs as well as the industrialization of music is needed.
Likewise,
there is a need to include discourses on the philosophy of language
(keywords: F. Schlegel, F. Nietzsche, Kierkegaard, Husserl, Saussure, Marshall
McLuhan, Heidegger, W. Benjamin, Th. W. Adorno, P. de Man, R. Barthes, Cynthia
Chase, W. Hamacher, Anselm Haverkamp, H. Blumenberg, J. Derrida) on the
unambiguity and ambiguity of word and music.
It is thus
also about our field, which Kierkegaard had already touched on in the
19th century - about the process of reading (cf. especially Herbert Marshall McLuhan, Paul de Man and
first of all you read Jacques Derrida) and the relationship between
author, reader and medium.
Education
expanded considerably after 1830, especially musical education. General
knowledge and musical knowledge developed in parallel.
Kierkegaard wanted to learn to understand
consciousness through patterns of repetition. According to Kierkegaard,
consciousness arises from contradictory relationships between a so-called ideal
sphere and the external(!) reality, which collided in consciousness. This would
result in the experience of repetition, which would require that the
event must have already appeared once in reality(!).
Note that
Kierkegaard speaks without Freud!
Repetition
makes people happy, says Kierkegaard. Memory makes them restless.
But
Kierkegaard knows almost Freudian that there can be no pure repetition.
In the
psychoanalytical literature, the concept of repetition, the concept of
the compulsion to repeat, and in general the various phenomena of repetition
are discussed problematically and in a very diverse way.
Also in
Freud's writing "Beyond the pleasure principle" (1920) itself.
For the
time being, the following applies to us here in general: repetition phenomena
for the benefit of the ego are working off mechanisms whose task it is to
resolve tensions by changing the inner(!) conditions (cf. Bibring, E.: The
conception of the repetition compulsion).
Discourses,
analyses, descriptions, critiques, explanations inevitably always fall under
the category "commentary".
Comments are always something added. They
try to approach a thing, an event, an institution, an action, in short, a text
in any form, even if it is music. Comments try to suspend something. This
always fails. Comments create a displacement, a repression as well. And with
time they often cover up the thing itself.
Why?!
The "commentary"
limits the open semantic game with the means of identity, repetition and the
temptation to represent the same. In this way it makes itself a mechanism of
control and order by restricting and delimiting discourse and trying to
establish unambiguity.
A
translation is
never a replacement ! Every setting is already a translation of the
thought and the unthought. A translation changes the place, shifts and changes
and is thus always a different text.
Only an
approximate signified can be saved over(!) this way.
Every
reading ( even "conversations" must be read! ) must first produce a
significant structure.
There is no
criterion for the identity of the meaning of an expression: the interpretation
becomes in the scientific sense a matter of undecidability, which does not mean
that one could and should not temporarily quasi-fix and evaluate it in a
passagere consent of many readers.
So-called
"islands of understanding" of temporary text configurations!
Understanding
also in the sense of: a small or larger group of discourse participants
"stands"(!) temporarily on temporarily secured
"understanding" - or understanding - ground!
This reason
for understanding, this "territory" of limited (temporally and
spatially) understanding, the image of temporary text configurations, the image
of standing behind the mirror as "standing" in the mirror, - a
mirror of distortions and performances, a mirror of originally unoriginal
transformations, - a mirror that gives off the image (! ) for our language, -
our language as graphically marked poetics of communication, - literally ! (See
J. Derrida, La dissémination, p. 350 and passim)
The
commentary sets the author as the supreme principle of the order of discourse
(vg. M. Foucault, Ordnung des Diskurses) and generates its authorities.
"We"(!)
represent the task of disseminal critical communication as an open text of a
writing, escaping exegesis and the re-presentation of the commentary.
The task is
also to be expressed in such a way that "the speech is first as good and
then better understood as its author" (Schleiermacher, Hermeneutik und
Kritik, p. 94).
For us, the
only critique to be accepted is the permanently critical critique, i.e. a
permanently deconstructing critique whose object is the writable of the text, a
permanently multiplying text.
"A
signifier is, from the outset, the possibility of its own repetition, its own
image or its similarity to itself. This is the condition of its ideality. What
identifies it as a signifier and as such gives it its function and relates it
to a signified can never be a 'unique and special reality' for the same
reasons. From the moment the sign appears, that is, from ever since, there
is no possibility of finding the pure 'reality', 'uniqueness', and
'specialness'.” (Derrida, Grammatology, p. 165, germ. ed.)
The
authority of the Logos, the commentary, the dominion of the interpretation of
scripture nailed to its origins has for some time been exposed to the critical
criticism of deconstruction and thus the chance of democracy in the coming
(Derrida).
All this
points to a radical possibility that cannot be thought of by any single science
or abstract discipline (Derrida, Grammatologie, 168f., german edition).
Intertextuality and the underlying multiplicity of
codes is in principle unlimited and cannot be limited.The resulting
deconstructive textualities and their connotation texture cannot be included or
even determined by any context.
The “text”
has ceased to be an object in itself. The permanently absent presence of
I n t e
r t e x t u a l i t y
(this applies to every text, and has done since time immemorial), in which the
power of the break with its contexts as a sum of never fully present presences
has always been structurally immanent in every sign of writing, has always
determined writing - writing without origin and destination (arche, telos).
Practice of d i f f é r a n c e ! ! !
One thing
is clearly true of Beethoven's music: Beethoven's music provided a framework
for the experienced past (or what one might think of as such!), for aesthetic
repetition, subjective impressions, educated imagination and its associations
and their extra-musical levels of meaning.
Whether the
last decades of research have been able to bring us closer to Beethoven in
Nietzsche's sense remains to be seen.
One thing
is also clear: new future generations of listeners should learn to distinguish
between historical Beethoven and the traditional (!) reception. And that means:
read read read read!
The
different ways of reading have become inherent in the music itself(!).
Performers
and composers
should be knowledgeable(!) and at the same time not hide behind scientific and
philosophical literature.
Each one
may interpret,
inspire and be passionately fascinating and intrigued.
It is a
very long way to the appropriation of what we call our own history. Have the
courage to ever adequately appropriate appropriation.
Have the
courage to deconstruct.
Please read about this and beyond:
a) For the
birds John Cage in conversation with Daniel Charles. Merve Verlag, Berlin, 1984
(Original French, Paris 1976).
b) Daniel
Charles: Periods Performance Music Aesthetics. Merve Verlag, Berlin,
1989.
c) Ivanceanu/Schweikhardt: KKK Art. Sound. War XMedia by Vintila Ivanceanu and
Josef Schweikhardt, Passagen Verlag, Vienna 2008.
P.s:
As a
passionate listener with an acoustically formed ear and sensitive senses in
general, and especially as a reader ( ! see above ! ), allow me, at the
provisional end of my few lines of memoir on some philosophical Prater walks
with guests in connection with our grammatological philosophical practice in
Vienna, to give you an interesting literature tip on music and Beethoven:
Leon
Botstein: The Memory of Modernism. From Beethoven to Berg. Vienna, Zsolnay
Verlag, 2013 (translated from English by Sven Hiemke)
As an introduction to our PPs, I recommend the short
essay by Claus-Steffen Mahnkopf: Der Strukturbegriff der musikalischen
Dekonstruktion, - easy to find on the Internet! (published as pdf on August
09, 2021 in German, 19 pages)
Beethoven heute
Beethoven seinerzeit
„Ist“ Beethovens Musik?
Revolutionär, modern, populär oder gar inzwischen Klischee?
Musik Text
Beethoven Moderne Postmoderne
(German/English)
((
Translation into English, Gerhard Kaučić (Dr. phil., born 1959, Age 66, 2025,
PP 1989 ff,)
European
Philosopher, Writer, Feminist, deconstructed Hegelian, Translator, Mediator,
Freerider, Bicycle Traveller, Enduro Biker, Ecomobilist, Survivor, Philosophical
Practitioner/Practical Philosophy, Analytical Philosophy of Language,
Deconstruction, Philosophical Practice
Vienna Austria Europe ))
PP.s.:
Our score
for the polyphony, heterophony and unlimited polyphony of postmodernism:
One of
several foundational texts: 'The Voice and the Phenomenon' (Derrida)
Author:
Gerhard
Anna Cončić-Kaučić, born 1959, Schriftsteller:in/Writer, Vienna/Wien.
Performances
only after express consultation with the author and publisher!
Title by Gerhard Anna Cončić-Kaučić published by
Wiener Passagen Verlag:
a little teaser before you start reading/ Quote
from our old
homepage
https://web.archive.org/web/20190611215805/http:/web.utanet.at/gack/
https://web.archive.org/web/20171115140036/http://web.utanet.at/gack/Obrief.html
1) In
German
>> Offener
"Brief"
"Be-denken" Sie jedes Wort. "Schweigen Exil List"
unsere Devise unsere Wahl unser Joyce jenseits von Sackgassen wie Politik Kunst
Religion. Großes Lachen in der Verschiebung & Verdichtung die Mobilität der
Syntax
"... einen Text als Text ablesen können, ohne eine
Interpretation dazwischen zu mengen, ist die späteste Form der > inneren
Erfahrung < - vielleicht eine kaum mögliche ..." ( Nietzsche, Aus dem
Nachlaß der Achtzigerjahre; in: Werke III, hg. v. Karl Schlechta, Mch. 1969,
S.805)
Worte an Verleger, Rezensenten und andere
LiteraturvermittlerInnen
Der Gedanke an den "nahen" Tod, auch wenn
er noch ein ( 1 ), zwei (2) oder mehr kurze Jahrzehnte auf sich warten lassen
sollte, läßt mich/uns "Abstand" nehmen von Veranstaltungen
allgemeiner Art wie Präsentationen Kongressen Symposien et cetera.
Vielleicht "sagen" Sie das den anwesend
"sein" werdenden JournalistInnen. Autor sein muß nicht heißen
Literaturmanagement und in unserem Fall ganz gewiß nicht.
Autor-Sein "bedeutet" so etwas wie "Gott-sein"
(vgl. Thot).
Ich gebe/gibt "Text". Von Fall zu
Fall diesem "Stimme"; nie aber bloß "Gesicht", pré-"face",
Präsenz.
Im ff. ein paar "plakative" Hinweise.
Vielleicht wollen Sie Kopien an die anwesenden
Literaturvermittler verteilen und verweisen Sie auf das "Vorwort"
von Sem I.
Oder wollen Sie das vielleicht selbst verlautbaren, dort ?
wenn ich in aller gebotenen Kürze Sie auf das Vorwort, die Vorrede von Sem I
verweisen darf. (And to the preface by Sem V !!!)
Füttern Sie die JournalistInnen damit, lesen Sie es Ihnen
sogar vor; verweisen Sie sie auf die Abschnitte der Dissemination von J.
Derrida über das Vorwort und auf die einschlägigen Abschnitte in "Grammatotechne
als Grammatologie der `Herzgewächse´ oder von der Inkommunikabilität"
Nehmen Sie und die JournalistInnen die Wörter ernst, dann
"erkennen" sie das Programm Semeion Aoristicon I -VII (s. Vorwort).
Das sollte genügen. Dann die Lektüre.
Im übrigen: die "Unauffindbarkeit des Subjekts"
Legen Sie Sem I, II, III, an unsere Stelle. Sub-Version
eines sub-spekten Subiect.
Autor GACK mit freundlichen Grüßen
P.S. Vielleicht lesen Sie auch das "einfach" (vor),
wahrscheinlich wenden Sie jetzt Ihr Ohr ab, trotzdem: die Vorrede das préface,
das was vor dem Gesicht (=face) ist, schaun Sie lesen Sie und Sie lesen immer
nur die Vorrede, das préface, das alles ist.
Das Gesicht, das Ge-sicht
sehen Sie nie.
Das vollständig aufgelöste Subjekt im Spiegel: Sem I, II,
III jenseits aller Literatur Sem I, II, III ff. lesen Sie das vor dem
"Gesicht" der JournalistInnen im "Auftrag" des
"Autor" "GACK" face á face
die Intrige der plot
Inspektor Sem und seine Fam/ilie öffnen alle Wortkoffer, sie
werden verfolgt und sind selber auf der richtigen Spur;
das Verbergen Verheimlichen Maskieren, die Maske die
Prosopopöie, die Ent-stellung; sämtliche Tricks eines Inspektors und ehemaligen
Privatdetektivs; der Fall der Fälle gelangt zur Lösung Erlösung;
durch Sem Schaun und seine "Fa/milie"
"Plakat"
zur Präsentation:
"Lesen" Sie die Zusammenhänge von Sex und
Religion
"Schaun" Sie Sem I
"Lesen" Sie die Zusammenhänge von Literatur und
Schrift
"Schaun" Sie Sem II
"Lesen" Sie die Zusammenhänge von Wissenschaft
und Gewalt
"Schaun" Sie Sem III
und vor allem: das "sexuelle" Thema der
Urszene, die Inskription, die Einschreibung des Sexuellen in der Rede,
Religion, Politik, Kunst und Wissenschaft; die "Geste" des
Subjekts in der Sprachhalt(er)ung der Schrift der Abyss der Gesellschaft Sem
Schauns Lachen und Heiterkeit
"Ein Text ist nur dann ein Text, wenn er dem ersten
Blick,..., das Gesetz seiner Zusammensetzung und die Regel seines Spiels
verbirgt. Ein Text bleibt im übrigen stets unwahrnehmbar."
"Die Verschleierung der Textur kann durchaus
Jahrhunderte erfordern ihr Gewebe (toile) freizulegen." Derrida,
Platons Pharmazie, in: Dissemination, S.71 (Wien 1995, Passagen
Verlag)
( über ) Dekonstruktion kann man nicht sprechen
man/frau muß "sie "(entweder) lesen. <<
2) in English
>> >>
Open “Letter”
“Think”
every word. “Silence exile cunning” our motto our choice our Joyce beyond dead
ends like politics art religion. Big laugh in the displacement &
condensation the mobility of syntax
“... to be
able to read a text as a text, without mixing an interpretation in between, is
the latest form of > inner experience < - perhaps an almost impossible
one ...” ( Nietzsche, Aus dem Nachlaß der Achtzigerjahre; in: Werke III,
ed. by Karl Schlechta, Mch. 1969, S.805)
Words to
publishers, reviewers and other literary agents
The thought
of “imminent” death, even if it should still be one ( 1 ), two (2) or more
short decades away, makes me/us “ keep my/our distance” from events of a
general nature such as presentations, congresses, symposia etc.
Perhaps you
“tell” this to the journalists who will “be” present. Being an author does not
have to mean literature management and in our case it certainly does not. Being
an author “means” something like “being God” (cf. Thot). I give/gives
“text”. From case to case this text “voice”; but never merely “face”,
pré-“face”, presence.
A few
“striking” references in the ff. Perhaps you would like to distribute copies to
the literary mediators present and refer them to the “Preface” of Sem I.
(And to the preface by Sem V !!!)
Or perhaps
you would like to announce this yourself, there ? if I may refer you in all due
brevity to the foreword, the preface of Sem I. Feed it to the
journalists, even read it to them; refer them to the sections of J. Derrida's
dissemination on the preface and to the relevant sections in
“Grammatotechne
as the grammatology of the 'heart plants' or of incommunicability”
If you and
the journalists take the words seriously, then you will “recognize” the program
Semeion Aoristicon I -VII (see preface). That should be enough. Then the
reading.
Incidentally:
the “untraceability of the subject” Put Sem I, II, III, instead of us,
in our place. Sub-version of a sub-specified subiect.
Author GACK
with kind regards
P.S.
Perhaps you also read the “simply” (before) probably you now turn away your
ear, nevertheless: the preface, the préface, that which is before the face
(=face), you read and you always read only the preface, the préface,
which is everything.
You never
see the face, what you see.
The
completely dissolved subject in the mirror: Sem I, II, III beyond all
literature Sem I, II, III ff. read this in front of the “face” of the
journalists on “behalf” of the “author” “GACK” face á face
the
intrigue of the plot
Inspector
Sem and his family open all the word cases they are pursued and are on the
right track themselves; the hiding concealing masking, the mask the
prosopopoeia, the de-position;
all the
tricks of an inspector and former private detective; the case of cases reaches
its solution redemption;
through Sem
Schaun and his “fa/mily”
“poster” for presentation
“Read” the
connections between sex and religion
“ Show” Sem
I
“Read” the
connections between literature and writing
“ View” Sem
II
“Read” the
connections between science and violence
“ Examine” Sem
III
and above
all: of the “sexual” theme primal
scene, the “sexual” theme of the primal scene the inscription, the
inscription of the sexual in speech, religion, politics, art and science;
the
“gesture” of the subject in the linguistic posture of writing the abyss of
society Sem Schaun's laughter and merriment
“A text is
only a text if it conceals from the first glance... the law of its composition
and the rule of its play.
A text
always remains imperceptible.”
“The
concealment of the texture may well require centuries to uncover its fabric
(toile).” Derrida, Plato's Pharmacy, in: Dissemination, p.71 (Vienna
1995, Passagen Verlag)
( about )
deconstruction one cannot speak one must read “it/her ”. << <<
-
/S/E/M/EI/ON/ /A/OR/IST/I/CON V oder zur Autobiographie Sem Schauns.
2007 [Autor]
-
S/E/M/EI/O/N/ /A/OR/IST/I/CON IV oder zur Autobiographie Sem Schauns.
2002 [Autor]
-
S/E/M/EI/O/N/ /A/OR/IST/I/CON III oder zur Autobiographie Sem Schauns.
1996 [Autor]
-
S/E/M/EI/O/N/ /A/OR/IST/I/CON I oder zur Autobiographie Sem Schauns.
1995 [Autor]
-
S/E/M/EI/O/N/ /A/OR/IST/I/CON II oder zur Autobiographie Sem Schauns.
1994 [Autor]
Passagen Verlag Wien/Vienna
Title from:
Gerhard Anna Cončić-Kaučić
https://www.passagen.at/autoren/gerhard-a-concic-kaucic-1/
cf. also:
Gerhard
Anna Cončić-Kaučić
Covid 19
Roman Text Welt Gedicht
https://disseminationsdjayphilpraxkaucic.blogspot.com/2020/04/covid-19-roman-text-welt-gedicht.html
Adventure Philosophy! AN ANNIVERSARY EVERY
YEAR / LIVING CONSCIOUSLY EVERY YEAR ............... Adventure Philosophy
....... Adventure Life !!!
.............................................
Grammatological practice, philosophical practice, philosophy, what is
philosophy, understanding, desire, knotting, knots of life and writing and
of life as writing, semiology becomes grammatology, philosophy as science, differ/a/nce,
Socratism as stultification, theoria as the highest form of practice.
.......................................................
Writing (cf. teaser), language, the sentence,
the word. Every sentence is a leap!
Personal
history and general history; language consciousness unconsciousness; what does this have to do with
general history, experience, phenomenology (e.g. that of Merleau-Ponty), desire
(e.g. Freud, e.g. Lacan, e.g. Melanie Klein), processing, reality, "psychic
reality" (Freud) (?!)
..............................................................
LANGUAGE, THINKING, PHILOSOPHY, UBW:
............. HOSPITALITY PHILOSOPHICAL PRACTICE ......
Sprache,
Denken, Philosophie, Ubw: ............. Gastfreundschaft Philosophische
Praxis ......
SPRACHE, DENKEN, PHILOSOPHIE, UBW: .............
GASTFREUNDSCHAFT PHILOSOPHISCHE PRAXIS ...
……………………………………………………………………….. Gastfreundschaft
Philosophische Praxis ……………………………………………………………………. ich versuche
...............................................................................
I try to explain why I answer requests for lectures, seminars or discussions
permanently and persistently (almost) in the negative; my grammatological
philosophical practice requires deconstruction.
............................................................................................................................................................
And this requires ruthlessness, independence and the utmost attention! .......................................................................................................................................................................To
a person to whom you want to be able to listen and whose words you want to be
able to perceive, in all openness, to such a person you should want to and be
able to develop a love, a passion, or at least an affection.
The body
should not only not be ignored, but should be perceived and valued with an open
mind - in all its frailty, fragility and vulnerability!
........................................................................................................................................................................................................Body
also means voice, color of voice, tone of voice, rhythm, tempo, gesture,
movement, face, eyes, looks, expression, etc.
............................................................. the body is
something beautiful, - ...............
.............................................................
(art shows
us the body, as do traditional tribal cultures in Africa, Australia and
America; people enjoy the body as text and often "describe" it with
tattoos), ............................................................., -
today
and in
earlier cultures. .............................................................
The body is
the basis for any structurality of successful intellectual intimacy of any
philosophical practice as conversation.
PHILOSOPHICAL
PRACTICE VIENNA PHILOSOPHICAL PRACTICE AUSTRIA PHILOSOPHICAL PRACTICE AUSTRIA
EUROPE
Grammatological
Philosophical Practice, Gerhard Kaucic / Djay PhilPrax & Anna Lydia Huber
Vienna
Philosophical practitioners, grammatologists, authors, cyclists,
ecomobilists, the philosopher as cyclist, the philosopher as bicyclist, the
philosopher as traveler, the philosopher as agitated and mover, the philosopher
as scout ....... track ....... trace ....... Grammatology ...
Deconstruction
Freerider, enduro biker (s works), mountain
biker, touring cyclist, Gerhard Kaučić / Djay PhilPrax (*1959), philosopher, ,
- philosophical practitioner, grammatologist, writer, author, - cyclist,
mountain biker, racing cyclist, folding bike cyclist, ecomobilist, -
the
philosopher as cyclist, the philosopher as bicyclist, the philosopher as
traveler, the philosopher as agitated and mover, the philosopher as scout
....... track ....... trace .......
Grammatology ..........
Deconstruction
If you
are interested in a PP (Philosophical Practice) with me, please reserve an
appointment only under this email: To contact us, please use only this email:
gack[at]chello.at
Philosophers,
Writers, Philosophical Practitioners, Mediators, Translators, Feminists,
Freeriders, (Wild) Camping Enthusiasts, Survivors
Vienna
Philosophical Practice weltweit … rund um die Uhr … rund
um die Welt, ... „face
à face“, … confidential one-to-one conversation, … around the clock … around
the world
Grammatological
Philosophical Practice Dr. Gerhard Kaucic / Djay PhilPrax ( born 1959, author,
philosopher, PP since 1989 ) Conversation, analysis, discourse,
problematization, identity dislocation, subjectivation, formalization, folding,
complication, aporia, deconstruction
Opening
hours: Mon - Fri: 11 a.m. - 8 p.m.
Charge by arrangement
Conversations
outdoor/indoor: grammatologies, contextualizations, analyses, complications,
plurivalences, dependencies, interdependencies, grammars, aporias,
deconstruction...around the clock...around the world...
...around
the clock ...around the world...
TALKS
are EVENTS as TEXT
cf. Jacques
Derrida, Signatur Ereignis Kontext, - in: Randgänge der Philosophie,
Vienna 1988, pp. 291-314 ( original French edition: Marges de la philosophie,
Paris 1972 )
Translation
into English, Gerhard Kaučić (Dr. phil., b. 1959), European Philosopher,
Writer, Feminist, Translator, Freerider , European Philosopher, Philosophical
Practice/Practical Philosophy, Language Analytic Philosophy, Deconstruction, PP
Vienna, Austria, Europe
36 years
Head of Philosophical Practice Gerhard Kaučić (Dr. phil.) & Anna Lydia
Huber (MSc)
Philosophical
Practice Vienna, G Kaučić & A L Huber 1989 ff.
Deconstruction
enables the relationship to the Other, the relationship to the Other (perhaps)
enables deconstruction. The encounter with the Other makes me responsible for
the singularity of the Other. For the unpredictability of the Other in being
different.
I try to
take the other as the other is and I try to recognize what the other is or what
it can tell me (could tell me about my otherness). The deconstructive mindset
makes me different and an Other.
Perhaps I
encounter the Other in a more “real” way, perhaps that means more honestly,
perhaps more ethically(!). I'll give it a try.
G K & A
L H To contact us use only this email: gack[at]chello.at
Gerhard
Anna Concic-Kaucic (author, writer, philosophers, Vienna, Austria),
(“GACK” = Anna
Lydia Huber and Gerhard Kaucic )
born
1959 in Austria,
live in Vienna.
He grew up
in Salzburg, she in Falkenhof (Mühlviertel), Linz (Upper Austria), he/she Paris
and Zell am See and he as well as in Saalfelden am Steinernen Meer (Salzburg)
and Kufstein (Tyrol).
Both studied comparative literature, history,
philosophy and linguistics in Salzburg and Paris, writers and translators since
1983. Numerous adventure trips by bicycle.
1989
Founded a “Grammatological Philosophical Practice” in Salzburg, Obertrum am See
and Vienna.
1989 ff.
Publication of a ( grammatological ) journal ( Die Grüne F Abyss ) for
literature, culture and politics.
Representative
of “Viennese postmodernism”, a Viennese variant of “deconstruction”
(Jacques Derrida). Narrator, poet, translator, novelist and cultural theorist.
Authors of
a deconstruction novel playing on different levels of language, reality
and consciousness ( Passagen Vlg. 7 vols. planned, vol. V published 2007 ).
Essays on topics such as writing,
grammatology, feminism, cloning, ecology, Japan, Judaism, Arabic culture and
literature, religion, Kabbalah, music, architecture, film, network society,
sport, transportation, politics, sexuality, philosophical practice, literary
theory, postmodernism, semiotics, rationalism, constructivism, deconstruction,
différance, psychoanalysis, Kant, Hamann, Nietzsche, Freud, Wollschläger,
Derrida, etc.
A big
thank you to my practice visitors! 36 years of philosophical practice Gerhard Kaucic
https://disseminationsdjayphilpraxkaucic.blogspot.com/2019/12/groes-dankeschon-meine.html
Many thanks
to my practice visitors! 36 Years of Philosophical Practice Gerhard Kaucic
( German /
English )
Prices, fee
/ fee amount / costs / price by arrangement / Charge by arrangement
Payment: cash and invoice
Fee
payment: cash and invoice
Confidential
individual consultation
A
conversation in my philosophical practice lasts 55 minutes and costs between 65
and 115 euros, depending on the social situation and the respective needs
(keyword: indoor/outdoor).
A double
session costs between 95 and 145 euros, depending on requirements. A three-hour
session costs between 155 and 210 euros.
Setting, -
confidential “single talk”, confidential “one-to-one conversation”
Up to two
people can have a conversation with me. The fee is then calculated according to
the number of participants.
Persons in
need with a high level of interest are not charged a fee for the first three
rounds.
[ Before you write to me/us, before you think
about coming to us, please try to think and reflect in your own way:
.........What is philosophy? ... What is philosophical ... “practice” ?
.......What is it ? ....... What is “is” ? .... “What” “is” a “question” ?
...... What is its precondition?...What
causes it?.... Where does it develop from? ... ...
Which
“contexts” lead to what we call a “question”? ... Under what
circumstances, in what situation, by whom, with what intentions and on the
basis of what tacit and unquestioned presuppositions and on the basis of what
retentions does what we call “questioning” or something like “the politics of
questioning” arise? ) And ! - Is ... “thinking” ...asking !?...Does
“philosophical practice” answer ... Questions...?...!... Does ... “Philosophy”
... to questions ? ...
“Derrière le miroir” (Jacques Derrida) ........” Semeion Aoristicon“.....” /S/E/M/EI/ON/
/A/OR/IST/I/CON/ “ (Concic-Kaucic) ]
An
open letter to
people who want to come to my Philosophical Practice :
Dear
people ,
dear
interested people ( to avoid misunderstandings ! ),
whoever
is dreaming of coming to my practice, - I am not a life - coach ! I am not a “
life - coach ” ! ( life advisor / life consultant / life counsellor / lifestyle
consultant / teacher )
I do not
feel responsible for that ! With the request for understanding.
What
happens in my philosophical practice ?
There
are many practices and each one is different.
I do not
see myself as a “life counselor” or coach.
My
practice is more concerned with theory-saturated or at least theory-interested
concerns and my task is to deconstruct these theories or their carriers (i.e.
my conversation partners, clients or guests), i.e. among other things to lead
these/their theories into aporia and thus to unlock the thinking of my
conversation partners, which also means to free these people, who are usually
very theory-trained, for something new.
Yours
sincerely
Gerhard
Kaucic
P.S.: Of
course there are many philosophical practitioners who see themselves as “life
counselors”.
I would
prefer not to be a life-coach ! ( in variation and adaptation of H. Melville:
“Bartleby, the Scrivener” )
30 Years
Jubilee Philosophical Practice Gerhard Kaucic
in English:
A
particularly frequently requested field of problematicity:
Explanation
aa))) In addition to the topic of “euthanasia,
self-determination, economy” (including the subjects of euthanasia,
assistance, support in dying, active, passive, indirect euthanasia, assisted
suicide, problematic issues, etc.).
Explanation
ff.) :... ranks the topic “J. Derrida , grammatologist,
philosopher, founder of deconstruction , incomprehension of his opponents, dis-
and misunderstandings of his followers” and the corresponding sub-topic “ Sur:Life !
Food Nutrition Food Enjoyment Animal Consciousness Unconsciousness Ethics
Reflection Possibilities Aporias Deconstruction” in my Grammatological
Philosophical Practice in Vienna, - and beyond (worldwide), - at the top of the
most requested fields of reflection and deconstruction.
Grammatological
philosophical practice in Hamburg's Hotel Kempinski on the Alster (( Hamburg, views !
and insights as well as the view of insight and vivifying circumspection
including the skyline as a topophotographic event “metropolis on the water”,
- the feeling of creating space through the production of “timelessness of
the unconscious” and an un/healthy portion of good tasting fried animal meat!)
One can
always dream of the animal and the ego, the unconscious and the superior ego, desire,
psychoanalysis and its ethics! Of the truth of revelation! From the “right
to insight, or the invention of the other” (cf. J. Derrida in “Psyché”)) to
“Jacques Derrida, founder of deconstruction, incomprehension of his opponents,
dis- and misunderstandings of his followers” ( 07-2014 )
Blogpost: Was ist Philosophische Praxis? (I)Part 1
http://disseminationsdjayphilpraxkaucic.blogspot.co.at/2015/12/was-ist-philosophische-praxis.html
Blogpost: Was ist Philosophische Praxis? (II) Part 2
http://disseminationsdjayphilpraxkaucic.blogspot.co.at/2016/01/was-ist-philosophische-praxis-ii.html
Blogpost: Was ist Philosophische Praxis? (III) Part 3
Projects (more cf. blog)
Deconstruction
and Philosophical Practice / Philosophical Practice
as Deconstruction
The Machine The Man Cyborgs Deconstruction
The Religious Deconstruction Religion and Society
Europeanization Legal Policy
Migration Policy Deconstruction,
Migration, Politics, Community, Subjects, Relations, The Other
The Political Body and the Other The European Heritage
Film Denken Philosophischer
Salon Gerhard Kaučić Djay PhilPrax Gasometer Wien
Tiere sehen Dich an. Dekonstruktion, Verantwortung. Dekonstruktion zum Komplex von
Gewalt, Wahn, Traum, Tod und Verantwortung.
MASCHINE MENSCH Roboter
Androiden Cyborgs als Subjekt Dekonstruktion
Sexismus und
Sexismusdebatten. Begehren und Verantwortung.
Religion und Gesellschaft. Das Religiöse.
ENDURO Sport Fun Erhabenheit.
Jacques
Derrida and the deconstruction as philosophical Practice.
Gastfreundschaft.
Politik der Freundschaft.
Lebensfreude. Essen und Genießen! Wie ernähre ich mich richtig? Wie lebe ich richtig?
Gegenwartsphilosophie
/ Philosophische Praxis / Contemporary Philosophy
Autobiographie. "Derrière le miroir"
(Jacques Derrida), " Semeion Aoristicon"..." /S/E/M/EI/ON/
/A/OR/IST/I/CON/ " (Concic-Kaucic)
Postmoderne / Wiener Postmoderne / Dekonstruktion.
Haß-Sprech, Haß-Rede, Haßgesellschaft, Haßpolitik. Demokratiefähigkeit.
Europeanization Legal Policy Migration Policy Deconstruction, Migration, Politics,
Community, Subjects, Relations, The Other
The Political Body and the Other The European Heritage
Arzt und Patient und
seine Krankheit
Hegel besser verstehen / Hegel heute
Beethoven heute
The
Religious Deconstruction Religion and Society
The
Machine The Man Cyborgs Deconstruction
Europäisierung Rechtspolitik Migrationspolitik
Dekonstruktion
Affizierung Immunisierung Autoaffektion
Autoimmunität
Schurken Russland Putinismus Schurkenstaat
Rogues, Russia, Putinism, rogue
state, war, terror
Ästhetische Erfahrung Radphilosophie
Freiheitserfahrung Grenzerfahrung(en)
Theorie Praxis Technik Philosophische
Praxis
Suizid, Selbsttötung und
Freitod Suizid ja/nein
Todesstrafe Strafrecht
Gesellschaft Menschenwürde Menschenrechte
Der Westen, die
Anderen. Die Aufklärung.
Musikalische Erfahrung Grammatologie
Implikationen
Kant das unreine Denken Apokalypsis
Ausnahmezustand
Coronavirus-Krise Freiheitsrechte
Philosophie des Hasses
Philosophie des Neides
Wiener Postmoderne/Postmoderne
Recht und Gerechtigkeit Armut Reichtum Überreichtum
Peter Handke und der Nobelpreis für Literatur
Philosophische Praxis als Training
Deconstruction
and Philosophical Practice / Philosophical Practice as Deconstruction
Haus der Geschichte Österreich
Dissemination,
Dekonstruktion und Philosophische Praxis
différance /
(Differänz)
Das Werk und die Wahrheit/Landschaft
und Leib
Thesen aus der realen Welt von Flüchtlingen
Was die Rechte will
Grammatologie
Österreichische Philosophie der Gegenwart
Französische Philosophie der Gegenwart
Freiheit und Krise.
Krise der Freiheit.
Zur Inauguration des US Präsidenten (elect) Donald Trump
Demokratie - Philosophie / Demokratiephilosophie
Tierphilosophie Demokratietheorie
Postanthropozän ( !? ) Philosophie und Praxis
Dekonstruktion. Was ist
Dekonstruktion. (!)
In einen Dialog treten. Was ist ein Dialog?!
Hate Speech
Was ist Philosophische
Praxis?
Das Attentat. Der
Wahnsinn. Die Singularität.
Festung Europa Postkolonialismus
Terrorismus Flüchtlinge
Poésie engagée Sprachruf Rufsprache
Übersetzung Sprachen Fremdsprachen Übersetzungstheorien
DDR - Diskurse Unrechtsstaat
/ Rechtsstaat
Heterozentrismus:
"Sexualität Anti-Homosexualität
Israel Judentum Minderheiten Demokratiephilosophie
Verfassung
Israels Gründungsmythos
Shlomo Sand Die Erfindung des jüdischen Volkes
Identität und Wandel
Kabbalah und die Schrift. Schriftgeschichte.
Schrifttheorien.
Zum Begriff der Schrift.
Die Grünen. Das Grüne.
Grüne Parteipolitik. Der Abbyss.
Rassismus. Apartheid.
Sexismus.
Kind. Erziehung.
Psychoanalyse.
Kinderliteratur. Literatur. Kinderkunst. Kunst.
Gewalt und Strafe.
Flüchtlingspolitik.
Finanzpolitik. Haßpolitik.
Geopolitik und Weltschrift. Derrida und der
Schriftbegriff.
Différ a nce.
Ökonomie und Anökonomie.
Archiv Anarchiv Archivwissenschaft.
Demokratie. Ökonomie.
Politik. Philosophie. Die Unberechenbarkeit.
Kontrasexuelle Performanz. Begehren.
Queering.
Poptheorie.
Kunsttheorie. Architekturtheorie. Politik der Freundschaft.
Was ist Philosophie. Wer denkt, was
heißt denken/Denken.
Lehrt man denken. Lehrt man denkend. Lernt man Denken.
Gedankengänge.
. Leben. Überleben Euthanasie.
Selbstbestimmung. Ökonomie.
Allegorien des Lesens.
Was heißt heute: Lesen!
Metaphorologie.
Literatur. Sprache. Rhythmus. Tonart. Stimmung.
Rhetorik. Ästhetik. Semiologie. Grammatologie.
Lesbarkeit. Unlesbarkeit.
Literarizität. Aporie. Aporetische Semantik.
Kino. Film. Geschwindigkeit.
Körper. Nacktheit.
Zivilisation.
Das Werk und die Wahrheit /
Landschaft und Leib
LEBENSRAUM, MACHT, DEMOKRATIE, GESCHLECHT, NACKTHEIT, KÖRPERPHILOSOPHIE, FREIHEIT
THE LIMITS
OF MEDIATION, Enlightenment, PHILOSOPHY,
PSYCHOANALYSIS
Sexism, racism, fascism, cultural-historical considerations and
reflections on violence and gender, - limits of mediation, limits of enlightenment, limits of philosophy,
limits of psychoanalysis, responsibility and legal consequences up to a
necessary future change of legal philosophy and legislation under demand of
applied psychoanalytic reflectories as deconstruction.
"Because I'm a Girl."
KÖRPERPHILOSOPHIE, SEXISMUS, RASSISMUS, FASCHISMUS, MACHTTHEORIEN, BEGEHREN, ANTHROPOLOGISCHE UND
ÖKONOMISCH-POLITISCHE STRUKTURDEBATTEN, POLITIK, DEKONSTRUKTION
Körper Philosophie
Körperphilosophie
das "eher"
Nichtabbildbare !, bzw das Nichtabgebildete einer bildgrammatischen
Stratifikationsebene in der Zeit
Fotografie,
Photographieren
Denken u. Kino, Semiologie, Sprache
und Gedächtnis
Grammatologische Philosophische
Praxis. Film und Schrift bzw Film als Text oder die Grammatologie der
Affekte und die Lesbarkeit im Ich.
Völkerrecht(e) oder
Machtpolitik und Geopolitik. Demokratiephilosophie im Kommen.
Velozität Volatilität Flüchtigkeit
in der Zeit. Televisionen. Internet. Axiomatiken. Gedächtnis.
Kultur.
Psychoanalyse und (Homo-)
Sexualität; Ödipus und Antiödipus (Deleuze/Guattari); Freiheit
Raumerkenntnis Demokratie Sexualität Bewegung Lust; Sexualpolitik
Pädagogik Erkenntnis Singularität Individualität Demokratie
De Sade, Freud, Artaud, Genet,
Goytisolo, Derrida, Tel quel, Nouveau Roman, Krieg,
Leib, Gedächtnis, Archiv
more cf. blog !
Kontakt /
Adresse:
Gerhard Kaucic / Djay PhilPrax (Dr. phil.) / Anna Lydia
Huber (MSc)
Guglgasse 8
1110 Wien
Oesterreich Europa
Philosophical
Salon / Philosophical Lounge G
Kaucic & AL Huber, Vienna ...
Discourse room, study room, social room, work room, philosophical salon,
philosophical lounge, philosophical practice Gerhard Kaučić / Djay PhilPrax
(born 1959, Dr.phil.) & Anna Lydia Huber (born 1959, MSc) Gasometer City,
Vienna
Philosophischer Salon/Philosophical Lounge G Kaucic & AL Huber Vienna, Austria, - Gerhard Kaučić (*1959), head of a philosophical practice for 36 years in Vienna ( 1989-2025 ff.)
Philosophical
Salon / Philosophical Lounge G Kaucic & AL Huber, Vienna ... Discourse room, study room, social room,
work room, philosophical salon, philosophical lounge, philosophical practice
Gerhard Kaučić / Djay PhilPrax (born 1959, Dr.phil.) & Anna Lydia Huber
(born 1959, MSc) Gasometer City, Vienna
Philosophical
Salon / Philosophical Lounge G Kaucic & AL Huber, Vienna ... Discourse room, study room, social room,
work room, philosophical salon, philosophical lounge, philosophical practice
Gerhard Kaučić / Djay PhilPrax (born 1959, Dr.phil.) & Anna Lydia Huber
(born 1959, MSc) Gasometer City, Vienna
To
contact us, please use only these emails:
g.kaucic[at]chello[dot]at
or
gack[at]chello[dot]at
Philosophie
Wien / Philosophy Vienna Austria Europe
Contemporary Philosophy
Nicht vollständige Liste unserer Publikationen seit 1986 cf. „Google Scholar Profil“:
Gerhard Kaučić (Dr. phil.), Anna Lydia Huber (MSc) https://scholar.google.com/citations?hl=de&user=wNUSN64AAAAJ oder https://web.archive.org/web/20250106202608/https://scholar.google.at/citations?user=wNUSN64AAAAJ&hl=de
Non-complete overview of our publications since 1986 cf. "Google Scholar Profile":
Gerhard Kaučić (Dr. phil.), Anna Lydia Huber (MSc) https://scholar.google.com/citations?hl=de&user=wNUSN64AAAAJ or https://web.archive.org/web/20250106202608/https://scholar.google.at/citations?user=wNUSN64AAAAJ&hl=de
VIAF:
Gerhard
Anna Cončić-Kaučić
https://web.archive.org/web/20241213022311/https://viaf.org/viaf/59390636/
Wikidata:
Gerhard
Anna Cončić-Kaučić
https://www.wikidata.org/wiki/Q3104047
https://www.wikidata.org/w/index.php?title=Q3104047&oldid=2102216011
LinkedIn Gerhard Kaučić:
36 years
Head of a Philosophical Practice in Vienna, Austria, Europe
Philosophische Praxis, gegründet 1989, Dr. Gerhard
Kaučić (*1959, Alter 66, 2025) , Philosophischer Praktiker, Gasometer B,
Guglgasse 8, 1110 Wien, Austria / Österreich, Europa
Philosophische Praxis Gerhard Kaučić / Djay PhilPrax
(Dr. phil.) & Anna Lydia Huber (MSc), geb. 1959, gemeinsamer Praxis-Sitz
Wien (seit 1989 ff.) / joint practice location in Vienna
https://at.linkedin.com/in/gerhard-kau%C4%8Di%C4%87-2b6b9362
Homepage (Engl./Germ.):
Lebenslauf Biographie Gegenwartsphilosophie Philosophische
Praxis
https://disseminationsdjayphilpraxkaucic.blogspot.com/2017/10/lebenslauf-biographie.html
https://disseminationsdjayphilpraxkaucic.blogspot.com/2017/10/lebenslauf-biographie.html?m=1
Biographisches, Bio, Vita, Biographie Philosoph:in
Blogger
Gerhard Kaučić / Anna Lydia Huber
https://www.blogger.com/profile/06298602217698385450
Unser Blog
Philosophical Practices / Politics / Disseminations Philosophische Praxis G Kaučić
& AL Huber https://disseminationsdjayphilpraxkaucic.blogspot.com/
Philosophische Praxis
als Training
Philosophical Practice
as/and Training work-free Education Humanity Future Human Being Democracy
Recht
und Gerechtigkeit Armut Reichtum Überreichtum Demokratie Eine Sache der
Demokratie (-philosophie)
https://disseminationsdjayphilpraxkaucic.blogspot.com/2019/11/law-and-justice-poverty-wealth.html
Freiheit
und Krise. Krise der Freiheit.
https://disseminationsdjayphilpraxkaucic.blogspot.com/2017/03/freiheit-und-krise.html
https://disseminationsdjayphilpraxkaucic.blogspot.com/2017/03/freiheit-und-krise.html?m=1
Deconstruction and
Philosophical Practice / Philosophical Practice as Deconstruction
https://disseminationsdjayphilpraxkaucic.blogspot.com/2019/03/deconstruction-and-philosophical.html
The concept of freedom and its freedoms
On the concept and comprehensibility of freedom
Philosophische
Praxis
GESPRÄCHE sind EREIGNISSE als TEXT
Translation into
English, Gerhard Kaučić (Dr. phil., b. 1959), European Philosopher,
Writer, Feminist, Translator,
Freerider , Europäischer Philosoph, Philosophische Praxis/Praktische
Philosophie, Sprachanalytische Philosophie, Dekonstruktion, PP Wien,
Österreich, Europa
Gerhard Kaučić, Alter
66, 2025, Anna Lydia Huber, age 66, 2025
Philosoph:in
des Denkens der "différance" (cf.
J. Derrida, La dissémination. Collection
„Tel Quel“ aux Éditions du Seuil, Paris 1972)
To contact us please use only this email: g.kaucic[at]chello.at
Öffnungszeiten
/ Hours of opening: Mo – Fr:
11 - 20 Uhr
Honorar
nach Vereinbarung / Charge by arrangement
Gespräche outdoor/indoor: Grammatologien,
Kontextualisierungen, Analysen, Komplizierungen, Plurivalenzen, Dependenzen,
Interdependenzen, Grammatiken, Aporien, Dekonstruktion...rund um die Uhr...rund
um die Welt...
...around the clock ...around the
world...
To
contact us, please use only these emails:
g.kaucic[at]chello[dot]at or
gack[at]chello[dot]at
Gegenwartsphilosophie
Contemporary
Philosophy
Gerhard Kaučić & Anna Lydia Huber ( geb. 1959 ) Philosophische Praxis 1989 ff.
Anna Lydia
Huber
Philosophin, Feministin, Mediatorin, Autorin,
Freerider:in, geboren 1959, MSc, Alter 66, 2025
( Mitarbeiterin
in der grammatologisch-philosophischen Praxis seit 2009 in Wien und darüber
hinaus )
( Associate in the grammatological-philosophical
practice since 2009 in Vienna and beyond )
Gerhard Kaučić
Philosoph, Feminist, Mediator, Autor, Freerider, geboren
1959, Dr. phil., Alter 66, 2025
( Leiter (seit 1989) der
Philosophischen Praxis Gerhard Kaučić (Dr. phil.) &
Anna Lydia Huber (MSc) )
( Head (since 1989)
of the Philosophical Practice Gerhard Kaučić (Dr. phil.) & Anna Lydia Huber
(MSc) )
P.s.:
Gerhard Kaučić (Mountain Bikers, Freeriders, Turbo Levo s works) Anna Lydia Huber
Trailen auf den und auf dem Kahlenberg (Wien, Weidring, Klosterneuburg). Dornröschentrail, Südtiroler Uphill-Trail etc. Wir hatten einen guten Rutsch ins neue Jahr 2025. Ich hoff, Ihr auch.
We are trailing on the Kahlenberg. Dornröschentrail, South Tyrolean Uphill Trail etc. We had a good start to the year 2025. I hope you did too.
Gerhard Anna (66) up and down the Kahlenberg in fog and light snow flurries, - 3 degrees Celsius
Gerhard Kaučić (Mountain Bikers, Freeriders, Turbo Levo s works) Anna Lydia Huber
Trailen auf den und auf dem Kahlenberg. Dornröschentrail, Südtiroler Uphill-Trail etc. Wir hatten einen guten Rutsch ins neue Jahr 2025. Ich hoff, Ihr auch.
Gerhard Anna (66) auf den und auf dem Kahlenberg im Nebel und bei leichtem Schneegestöber, - 3 Grad Celsius
Trailen auf den und auf dem Kahlenberg (Wien). Dornröschentrail, Südtiroler Uphill-Trail etc. Wir hatten einen guten Rutsch ins neue Jahr 2025. Ich hoff, Ihr auch.
We are trailing on the Kahlenberg. Dornröschentrail, South Tyrolean Uphill Trail etc. We had a good start to the year 2025. I hope you did too.
Gerhard Anna (66) auf den und auf dem Kahlenberg im Nebel und bei leichtem Schneegestöber, - 3 Grad Celsius
Gerhard Anna (66) up and down the Kahlenberg in fog and light snow flurries, - 3 degrees Celsius
To contact us please use only this email: g.kaucic[at]chello.at
Winter-Biker / Winter bikers
Winter-Biker / Winter bikers
Gerhard Kaučić (Dr. phil., b. 1959), European Philosopher, Writer, Freerider
Winter-Biker:in / Winter bikers
Anna Lydia Huber (MSc, b. 1959), European Philosopher, Writer, Freerider
Gerhard Kaučić (Mountain Bikers, Freeriders, Turbo Levo s works) Anna Lydia Huber
To contact us, please use only these emails:
g.kaucic[at]chello[dot]at or gack[at]chello[dot]at
Philosophische
Praxis
GESPRÄCHE sind EREIGNISSE als TEXT
cf. Jacques Derrida,
Signatur Ereignis Kontext, - in: Randgänge der Philosophie, Wien 1988, S.
291-314 ( Französische Originalausgabe: Marges de la philosophie, Paris
1972 )
Translation into English, Gerhard Kaučić (Dr.
phil., b. 1959), European
Philosopher, Writer, Feminist, Translator, Freerider , Europäischer Philosoph,
Philosophische Praxis/Praktische Philosophie, Sprachanalytische Philosophie,
Dekonstruktion, PP Wien, Österreich, Europa
Gerhard Kaučić, Alter 66, 2025, Anna Lydia Huber, age
66, 2025
Philosoph:in des Denkens
der "différance" (cf. J. Derrida, La dissémination. Collection
„Tel Quel“ aux Éditions du Seuil, Paris 1972)
To contact us please use only this email: g.kaucic[at]chello.at
Öffnungszeiten / Hours of
opening: Mo
– Fr:
11 - 20 Uhr
Honorar nach Vereinbarung /
Charge by arrangement
Gespräche
outdoor/indoor: Grammatologien,
Kontextualisierungen, Analysen, Komplizierungen, Plurivalenzen, Dependenzen,
Interdependenzen, Grammatiken, Aporien, Dekonstruktion...rund um die Uhr...rund
um die Welt...
...around the clock ...around the world...
|
Landschaft und Leib |
Anna Lydia Huber (66, Philosophin) & Gerhard Kaučić (66,
Philosoph)
Summer/winter bike tours 2025 (vv. u. ff.)
der
Philosoph/die Philosophin als Radfahrer:in, die Philosophin/der Philosoph als
Radfahrende, der Philosoph/die Philosophin als Fahrende, der Philosoph/die
Philosophin als Bewegte und Bewegende, die Philosophin/der Philosoph als Scout ....... trace ....... Spur
....... Grammatologie .......... Dekonstruktion
Landscape and body
Anna
Lydia Huber (66, philosopher) & Gerhard Kaučić (66, philosopher)
Summer/winter
bike tours 2025 (previous and following)
the
philosopher as cyclist, the philosopher as bicycle rider,
the philosopher
as traveler, the philosopher as moved and moving,
the philosopher as scout ... .... ….. trace ....... trail .......
…..
Grammatology .......
...
…………………………………. Deconstruction
To
contact us, please use only these emails:
g.kaucic[at]chello[dot]at or
gack[at]chello[dot]at
The musical
experience and its political, social and philosophical-grammatological
implications and presuppositions
https://disseminationsdjayphilpraxkaucic.blogspot.com/2024/01/musical-experience-grammatology.html
Mobile Version (read without teaser and footer):
Dekonstruktion Musik Dekonstruktion Musikalische Erfahrung Dekonstruktion
https://disseminationsdjayphilpraxkaucic.blogspot.com/2025/01/deconstruction-musical-experience.html
der Philosoph/die Philosophin als Radfahrer:in, die Philosophin/der Philosoph als Radfahrende, der Philosoph/die Philosophin als Fahrende, der Philosoph/die Philosophin als Bewegte und Bewegende, die Philosophin/der Philosoph als Scout ....... trace ....... Spur ....... Grammatologie .......... Dekonstruktion
the philosopher as cyclist, the philosopher as bicycle rider, the philosopher as traveler,
the philosopher as moved and moving, the philosopher as scout ... .... ….. trace .......
trail .... Grammatology ... Deconstruction
To
contact us, please use only these emails:
g.kaucic[at]chello[dot]at or gack[at]chello[dot]at
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